Details, Details, Details.

 Architectural details can be frustrating at times. I get my sky just right, but when I step back I notice my lines are not right.  So I pulled out my biggest ruler and a water soluble pencil.  This type of pencil blends really well with acrylic paint so I can easily soften the lines.

Before #1

 After I redrew the lines I had to change some of the angles.  I did so by reworking the negative spaces around the railing.  I used a dark green and matte medium because I knew I was going to develop the sea grass in those areas later.

Before #2

I then lightened those negative spaces and began to add shadows to the boardwalk.  But it still didn't look right to me.

Progress as of 11/14/14

So I pulled out my ruler again and this time I drew my lines with white paint. All of these alterations required me to repaint parts of the sky and water.  Details require lots and lots of modifications and patience.

The boardwalk still isn't finished but the lines are better.  So it was time to attack the sea grass.  Using small brush strokes of  greens, golds and sand colors the dunes are beginning to take shape.

I think I'll take the weekend off.  I'll attack the rest of the details next week.

Painting is not always easy.

before # 1

before #2

Sometimes my paintings are created with relative ease. Other times the process is a struggle. I have to continue to work on the image by changing colors, textures, values and details. This creation hasn't been easy.

The under painting in "before #1" was too vibrant so I muted in in "before #2" by adding layer's of grays and greens.  But I still wasn't quite where I wanted to be.  So I began to re-establish the composition in my foreground by redrawing the boardwalk in charcoal and white paint.  (Don't worry the boardwalk isn't done - still has a long way to go!)

Then I started to experiment with different treatments on the dunes. I wanted to create the feeling of an early morning sunrise. I wanted to try different levels of detail.  On the left I tried a more realistic approach by defining individual grasses

left closeup

When I started to work on the right side I took a more abstract approach to representing the dunes. I blurred the sand and grasses a little more.  To me the right "feels" more appropriate for the time of day.  It still needs some more work, but I think this is the direction I'll be going on both sides.

Trial and error is my favorite way to paint.  I try to always keep an open mind when I start a painting session.  I experiment with colors and techniques.  At times I fail, wipe off paint, cover over areas and start again.  Underneath my acrylic are layers my creative journey.  Always learning. . . . .

Time Bandits

Some nights I go to bed wondering where the day has gone.  While I start off with good intentions I seem to get sidetracked by so many things.  As a creative artist I tend to put my own work on hold while I take care of the squeakiest wheels.  Fall can be  the most difficult for me because I try to cram too many things into too little time.  Right now my life is full of Time Bandits

This topic came up when I was recently chatting with with my friend and business partner Hobby Parent.  She reminded me that everyone has the same 24 hours in their day and we need to start guarding our time. During this conversation we decided the best way to thwart these time bandits is to get back to setting goals, committing to daily actions and keeping each other accountable.

My list of time bandits:

1. television
2. social media
3. email
4. phone calls
5. chores
6. people

My list of things I really want to accomplish:

1. daily creating
2. writing
3. organizing my home
4. releashing weight
5. increasing training
6. high quality interactions with people.

So for the month of November I'm setting the goal to use my time purposefully.  I'm not going to let my time be stolen by insignificant activities.  I'm going to cut back on allowing Time Bandits to keep me from my goals.

So here's my plan:

1.  If I'm watching TV I will multi-task- crochet, doodle, sit-ups

2.  No more than 30 minutes of social media - I'll set a timer

3.  I'll clean out my email box every day for 15 minutes

4.  I'll make phone calls when I'm walking the dog.

5.  I'll spend 30 minutes a day cleaning/organizing my home

6.  I'll schedule time with the people I want to spend time with.  This could be a meal, a phone call or skype. 

And tomorrow I'll get back to my painting - - - - 

Building Texture

 

I'm going to use two different types of texture in this painting, actual and simulated. I'll be adding simulated texture toward the end of the painting process. 
But today I'm creating actual texture.

 To build up the surface in the area where the sand dunes and grasses are I spread a thick coat of gel medium.  I then took a tile scraper and "combed" through the medium creating lines going in multiple directions.  To develop another variation in the surface I used a paper towel.  Gel medium is clear so when it dries the under painting will show through.

Because this painting is about early morning I've begun to soften the colors in the foreground.  I've done this by replacing the bolder greens, yellows and oranges with duller versions of them. These lower intensities were created by mixing each hue with some of the color opposite on the color wheel (the complement). I also added some white to brighten some areas where there will be only sand.

I  redrew the boardwalk  and will continue working on the dunes after the paint dries.

Angry Sky

 Looking at my painting today I noticed I'd created a very angry sky.  The clouds appeared to be ominous like they're on the verge of breaking into a thunderstorm.  Not the peaceful sunrise I was aiming for. Time to cool it down.

Purple is a cool color. But this color appeared too aggressive in my clouds, probably because of all the yellow in the sky.  The contrast of these color opposites (aka-complementary colors) was too great.

 1.  I began to add a wash of blue to the left side of the sky. Not only did this cool down the temperature of the colors but it reinforce my focal point - the sunrise on the right.

2.  I still wanted the feeling of billowy clouds so I fluffed in some white.


3.  I brightened the horizon line with a wash of orange and pink.  Then I added a little more color to the ocean.  Before I finished the painting session I "cleaned" my palette by adding some color to my dunes and boardwalk,  I never like to waste paint.

Tonight I meet with my painting group and am ready for critique.  I can't wait for their feedback on my work!

The ugly stage.

All artwork goes through an "ugly stage."  It's the long phase between development and completion. My paintings go through extensive ugly times.  Sometimes they grow out of it and other times they don't.  After I complete the under painting and block in the basic forms I begin to build space.  What I mean is I start to define where I want the viewer's eyes to go in my painting.  In a landscape I need to give the viewer a sense of perspective so I begin with the sky and move forward from there.

1.  The basic forms are sketched in - sky, water, dunes and boardwalk.

2.  I decided my composition was too symmetrical so I decided to change the size and shapes of the dunes and began to develop the sky.

 3.  The water needed some color.

4.  When I stepped back and looked at my painting I realized the boardwalk ended at the horizon line.

 5.  So I lowered the end. With acrylics it's easy - I just painted white over the area and added sky and water.

6.  Today I'm working on the sky.  I'm not using a single picture as my source, but I'm looking at lots for inspiration.  I'm not happy with the current state of the sky - too violent for a calm sunrise.

During my painting process even when I'm focusing on one area I add touches all over my canvas.This helps me  develop a sense of continuity in my compositions.  I want to see all of the colors on my palette throughout my work.  If I'm painting orange in the sky I might clean paint residue off my brush by blending it on the dunes. This also helps to develop more texture on the surface.

Tomorrow I will work on resolving the sky.  The ugly stage might go on for a while longer.

A blank canvas

I picked up a new canvas yesterday.
It's big - 30 x 40 inches.  It's white.  And it's scary.  I know I can manipulate paint. I know I can fill it with an interesting image. I've worked through the process thousands of times.  But it's always hard to get started.

I was reading a book today by Austin Kleon called "Show Your Work."  In it he explains simple steps artists can take to becoming more visible.  One step was to "take people behind the scenes," to help them understand the creative process.  "When a painter talks about her 'work,' she could be talking about two different things:  There's the artwork, the finished piece, framed and hung on a gallery wall, and there's the art work, all the day-to-day stuff that goes on behind the scenes in her studio:  looking for inspiration, getting an idea, applying oil to a canvas, etc.  There's 'painting,' the noun, and there's 'painting' the verb.  As in all kinds of work there is a distinction between the painter's process, and the products of her process."

I have always been and always will be a process based artist.  I paint intuitively.  I let the colors blend and form into images as I continue to add layers to the surface.  Sometimes I use photographs for inspiration, but most of the time I just let the painting tell me where it's going.  My hands are inspired by the memories I have. I get lost in the process and hours go by with lightening speed.  But sometimes I get stopped at a traffic light and get confused about which way to go.  So I'll take a break and revisit the canvas with fresh eyes.

I recently accepted a commission to create a painting about the first moment you get to the beach.  I love the ocean and have lots of experience with this subject matter. So I'm going to tame that blank canvas and bend it to my will.  I'll document the process and will enjoy your feedback.

I started by spraying down my canvas with water.

I then applied cadmium yellow and yellow ochre both of which were diluted with matte medium and a little water.

I sketched in a horizon line and boardwalk with pthalo blue.  I don't usually center my compositions but this one called for it.

I then sprayed the surface with water to loosen up the lines.

I'll let it dry for now and let the painting tell me what do do next.


"A lot of people are so used to just seeing the outcome of work.  They never see the side of the work you go through to produce the outcome."                                                      -Michael Jackson
                                                                                                                    (as quoted by Austin Kleon)